Outcomes for
(BMus, BA)
| Program Information |
Goals |
Assessment Methods |
| |
1. Skill in at least one area of performance, developed to a level appropriate to the degree program and track selected.
|
Performance jury, participation in major ensembles, junior and senior recitals, chamber music activity, Thursday Series, Keyboard Skills proficiency exam, exit interview.
|
| 2. Ability to function as an ensemble player in large and small ensembles. |
| 3. Ability to demonstrate piano skills at a level of proficiency need by all professional musicians. |
| 4. Ability to demonstrate functional knowledge of the language and grammar of music, recognize compositions in historical and stylistic perspective and recognize and execute common elements of music-rhythm, pitch, melody, harmony, timbre, dynamics, and form. In addition the student should display the ability to analyze and manipulate and write about these elements in a coherent manner. |
| For specific tracks the following additional goals have been developed: |
Specific tracks: |
Performance:
1. Knowledge of applicable solo and ensemble literature and orientation to and experience with fundamentals of pedagogy. |
Performance: junior and senior recital evaluations, ensemble, chamber, solo performances |
| 2. Solo and ensemble performance in a variety of formal and informal settings. |
Music Education:
1. Ability and desire to teach music effectively in large and small group settings. |
Music Education: logs, video and field experience critique, entrance audition, performance juries, Thursday Series, senior recital, Keyboard Skills and Preprofessional Competency Exam, Praxis II |
2. Command of current practices in music education.
|
| 3. Performance and teaching skills on typical classroom instruments. |
| 4. Conducting skills that are clear and comprehensive. |
| 5. Knowledge of available school materials, and the ability
to generate original teaching materials. |
| 6. Knowledge of current practices in general school curricula,
particularly in reading, language arts, and math, and how to further these
studies through musical activities. |
| 7. Ability to perform musically on an instrument or vocally. |
8. Ability to accompany at the piano.
|
| 9. Knowledge of the principles of learning theories and their
implications for music education. |
| 10. Ability to use alternative strategies to evaluate students |
Composition:
1. Ability to compose works in various media and forms that show the highest
possible level of skill in the use of basic concepts, tools, techniques and
procedures. |
Composition: Weekly tutorials, original student compositions |
| 2. Presentation of original works in public forums and in
seminars in which critical assessment of their music is given |
Music Therapy:
1. Ability to accompany via the keyboard and guitar. |
Music Therapy: practicum, internship and performance exams |
| 2. Knowledge of techniques and strategies that allow for intervention
following diagnosis. |
3. Ability to design and implement a treatment plan in various
clinical settings.
|
| 4. Knowledge of appropriate musical materials and resources
to function as a licensed music therapist |
| |
BA |
BA: comprehensive project, large ensembles |