Drawing
on a 20-year history of scholarship, public programs, lectures,
exhibits, and conferences exploring Maya art, language, and culture,
the K'inal Winik Cultural Center was formally established at Cleveland
State University in 2003. The
K'inal Winik Cultural Center owes its existence and success by
the dedication of its former Director and Founder Dr. Laura Martin,
Professor of Modern Languages and Fulbright Scholar, Cleveland
State University. Throughout her entire career, Dr. Martin has
been at the forefront of contemporary Maya studies. Her research
into Maya culture and language has drawn serious attention to
the plight of the millions of indigenous Maya peoples still living
in Mexico, Guatemala , Honduras, and Belize.
The beginning of the Center and its multidisciplinary programs date back to 1986 when it was known as the K'inal Winik Festival: A Celebration of Maya Art, Language, and Culture. The Late Art Historian and Mayan Epigrapher Dr. Linda Schele was the original inspiration behind the first K'inal Winik Festival. In 1986, a ground-breaking exhibition on Classic Maya art entitled The Blood of Kings opened
at the Cleveland Museum of Art. In conjunction with that exhibit,
Linda Schele accepted an invitation to speak to faculty, staff,
and students at CSU. Linda spoke to a standing-room only audience.
While at CSU, she also met with a group of young linguists
and epigraphers working on modern Mayan languages. That conference
served as the impetus from which the first Maya Hieroglyph
Weekend would take place the following Fall. At that moment,
the K'inal Winik Festival was born, though a formal space
to house the center would take another 17 years! The mission
of that first K'inal Winik Festival was to facilitate the
sharing of scholarship among interdisciplinary groups of scholars
and interested laypeople. Dr. Martin officially left the
Center in August 2006. She remains active in scholarly research
and collaborations with native Mayas and co-directs Yax Te'
Books, a publisher of books by and about Mayas.
The Center is currently directed
by Mayan archaeologist and epigrapher Phillip J. Wanyerka, who
has spent the past 20 years exploring Classic Maya ruins and deciphering
ancient texts. The Center and its staff collaborate with experts
in various fields of Maya studies to present public programming,
workshops, lectures, exhibits, and to develop teaching curriculum
and enrichment activities aimed at promoting ancient and modern
Maya culture. The Center also fosters international exchange and
includes numerous Maya colleagues as active participants in its
education and exchange programs. Staff, funding, and space provided
by the University now allow the Center to develop new and exciting
year-round programming.
1987 Conference

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What does K'inal Winik mean?
People often ask about the meaning of the Center's name. K'inal Winik (pronounced kee-nahl wee-neek ) is based on two words found in one form or another in every Maya language. K'in means “sun” and it is also the word for “day” in
the Classic Maya calendar system. In many languages today, k'in can
also mean “festival.” With the -al suffix, k'in becomes
an abstract noun meaning something like “consciousness” or “enlightenment.” Winik is
the Maya word for “man” and traditionally refers to the
community of Maya people. And so together, K'inal Winik can
best be understood to mean a “festival of being Maya.”
The K'inal Winik Festival, a celebration of both ancient and modern Maya culture, takes place on the Cleveland State campus regularly and includes lectures, workshops, residencies and performances by Maya scholars and artists. The popular Maya Hieroglyph Weekend introduces participants to the methods used to decipher glyphs. Translation workshops and other presentations are led by noted anthropologists, epigraphers, historians, linguists, and native peoples.

The
Cleveland “Emblem Glyph”
An Emblem Glyph was created for the city of Cleveland in the late 1980s by Linda Schele. Emblem glyphs are an important category of hieroglyph that refer to the ancient name of the larger territorial expanse of individual Maya kingdoms. In other words, emblem glyphs simply do not just refer to the name of an ancient Maya capital city, rather they seem to refer to the entire territorial expanse those specific territory was controlled by that capital city.
Emblem glyphs were first
identified by Heinrich Berlin in 1958. Emblem glyphs are
easy to identify in the Maya texts because they have a
fairly consistent form comprised of three main elements:
a “water-group” prefix
most likely representing “blood” that is read k'u meaning “sacred” or “divine”;
an ajaw or “lord” superfix; and a variable main
sign (usually the largest glyph within the glyph block)
that changes from city to city. Thus, together the emblem
glyph seems to function as a royal title calling the person
who carries this title a “ Divine Lord of such-and–such
polity.” Here, the main sign of the Cleveland emblem glyph
is the hieroglyph for “land” or “earth.” Located just above
and into the sign for “earth” is a small graphic depiction
of an obsidian axe piercing or “cleaving” the earth. This
was Linda's way of punning Cleveland and so she designed
an emblem glyph that suggested a land being cleaved!

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