K'inal Winik Cultural Center

History of the Center

Drawing on a 20-year history of scholarship, public programs, lectures, exhibits, and conferences exploring Maya art, language, and culture, the K'inal Winik Cultural Center was formally established at Cleveland State University in 2003. The K'inal Winik Cultural Center owes its existence and success by the dedication of its former Director and Founder Dr. Laura Martin, Professor of Modern Languages and Fulbright Scholar, Cleveland State University. Throughout her entire career, Dr. Martin has been at the forefront of contemporary Maya studies. Her research into Maya culture and language has drawn serious attention to the plight of the millions of indigenous Maya peoples still living in Mexico, Guatemala , Honduras, and Belize.

The beginning of the Center and its multidisciplinary programs date back to 1986 when it was known as the K'inal Winik Festival: A Celebration of Maya Art, Language, and Culture. The Late Art Historian and Mayan Epigrapher Dr. Linda Schele was the original inspiration behind the first K'inal Winik Festival. In 1986, a ground-breaking exhibition on Classic Maya art entitled The Blood of Kings opened at the Cleveland Museum of Art. In conjunction with that exhibit, Linda Schele accepted an invitation to speak to faculty, staff, and students at CSU. Linda spoke to a standing-room only audience. While at CSU, she also met with a group of young linguists and epigraphers working on modern Mayan languages. That conference served as the impetus from which the first Maya Hieroglyph Weekend would take place the following Fall. At that moment, the K'inal Winik Festival was born, though a formal space to house the center would take another 17 years! The mission of that first K'inal Winik Festival was to facilitate the sharing of scholarship among interdisciplinary groups of scholars and interested laypeople. Though Dr. Martin officially retired from the Center as of August 2006, she remains highly active in her scholarly research and is committed to her other business endeavor, Yaxté Books.

Dr. Laura Martin
Blood of Kings

The Center is currently directed by Mayan archaeologist and epigrapher Phillip J. Wanyerka, who has spent the past 20 years exploring Classic Maya ruins and deciphering ancient texts. The Center and its staff collaborate with experts in various fields of Maya studies to present public programming, workshops, lectures, exhibits, and to develop teaching curriculum and enrichment activities aimed at promoting ancient and modern Maya culture. The Center also fosters international exchange and includes numerous Maya colleagues as active participants in its education and exchange programs. Staff, funding, and space provided by the University now allow the Center to develop new and exciting year-round programming.

1987 Conference

1986 Conference

1987 Conference

What does K'inal Winik mean?

People often ask about the meaning of the Center's name. K'inal Winik (pronounced kee-nahl wee-neek ) is based on two words found in one form or another in every Maya language. K'in means “sun” and it is also the word for “day” in the Classic Maya calendar system. In many languages today, k'in can also mean “festival.” With the -al suffix, k'in becomes an abstract noun meaning something like “consciousness” or “enlightenment.” Winik is the Maya word for “man” and traditionally refers to the community of Maya people. And so together, K'inal Winik can best be understood to mean a “festival of being Maya.”

The K'inal Winik Festival, a celebration of both ancient and modern Maya culture, takes place on the Cleveland State campus regularly and includes lectures, workshops, residencies and performances by Maya scholars and artists. The popular Maya Hieroglyph Weekend introduces participants to the methods used to decipher glyphs. Translation workshops and other presentations are led by noted anthropologists, epigraphers, historians, linguists, and native peoples.

K'inal Winik Glyph

 

The Cleveland “Emblem Glyph”

Linda ScheleAn Emblem Glyph was created for the city of Cleveland in the late 1980s by Linda Schele. Emblem glyphs are an important category of hieroglyph that refer to the ancient name of the larger territorial expanse of individual Maya kingdoms. In other words, emblem glyphs simply do not just refer to the name of an ancient Maya capital city, rather they seem to refer to the entire territorial expanse those specific territory was controlled by that capital city.

Emblem glyphs were first identified by Heinrich Berlin in 1958. Emblem glyphs are easy to identify in the Maya texts because they have a fairly consistent form comprised of three main elements: a “water-group” prefix most likely representing “blood” that is read k'u meaning “sacred” or “divine”; an ajaw or “lord” superfix; and a variable main sign (usually the largest glyph within the glyph block) that changes from city to city. Thus, together the emblem glyph seems to function as a royal title calling the person who carries this title a “ Divine Lord of such-and–such polity.” Here, the main sign of the Cleveland emblem glyph is the hieroglyph for “land” or “earth.” Located just above and into the sign for “earth” is a small graphic depiction of an obsidian axe piercing or “cleaving” the earth. This was Linda's way of punning Cleveland and so she designed an emblem glyph that suggested a land being cleaved!

The Cleveland Emblem Glyph

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engaged learning
Mailing Address
Cleveland State University
College of Liberal Arts
and Social Sciences
2121 Euclid Ave.
Rhodes Tower 1644
Cleveland, Ohio 44115-4435
Campus Location
Rhodes Tower Room 1644
1860 East 22nd Street
Phone: 216.687.4797
kinalwinik@csuohio.edu


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