Thursday - November
29, 2007
University Center, Room 364 - 6:00pm
Reception starts at 5:30pm
Free and open to the public
‘Life is a Movie!’ declared a 1942 Kodak advertisement, it continued, ‘Only a movie camera can picture life as it changes from one moment to another’. This description articulates the impact which manufacturers saw for their product. Describing life as a movie captures the important position which cinema culture has claimed in our everyday lives. Moving image technology has extended far beyond celluloid film, but many of the ideas and possibilities within new technologies were first seen within the cinema. It is since the late 1800s that dramatic changes have occurred in our sensory perceptions due to the growth of filmmaking and the cinema. Michel de Certeau has said that contemporary society is characterized by its preoccupation with vision to the extent that everything is measured by ‘its ability to show or be shown’.
The ways in which
people could learn to make home movies, through filmmaking manuals
and magazines, are necessarily imbued with the importance of seeing
and showing; this is the nature of the medium of film. What is instructive
to examine within the realm of amateur filmmaking is what was deemed
important to be shown, and how this should be done. Doing this demonstrates
that amateur filmmaking is a distinctly modern way in which people
actively engaged with recording and remembering their lives. They
were encouraged to plan for their future memories while simultaneously
taking part of cinematic culture.
Dr. Mary Tomsic teaches in the School of Historical Studies at the
University of Melbourne in subjects that examine gender and sexuality
historically and theoretically. Her current research project is titled
Making Home Movies: Creating, recording, remembering in Australian
and the modern world. She is also collaborating on a project about
contemporary understandings of homophobia and masculinity. Her most
recent publication is “‘we WILL invent ourselves, the
age of the New Image is at hand’: Creating, learning and talking
with Australian feminist filmmaking”, Australian Feminist Studies,
vol. 22, issue 53 (2007): 287-306.
For more information, call 216.523.7191 or email Dr Nicki Tarulevicz: n.tarulevicz@csuohio.edu.
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