Saturday March 28
11:30 AM - 1 PM
Fade In: Start Writing - Before there can be a film
there has to be a script. This panel will discuss the art
and craft of writing for the screen, beginning with the question
of how and where writers find ideas for films and then how
those ideas are developed into a script. The panel will also
discuss how the screenplay functions as a blueprint for production
and what each member of the production team needs from the
script. Other subjects will include the relationship between
writers, directors, and producers, the place of the writer
in the industry and production process, and various approaches
to screenwriting. Feature length narrative films, shorts,
and documentaries will all be subjects of our panel's dialog,
concentrating on the different forms and formats required
by each type of film.
1:30 PM - 3 PM
Action: Start Shooting - Translating the script or
treatment into action and dialog is the next task confronting
the would-be filmmaker. This panel will look at the range
of activities that makes this move from script to screen possible,
beginning with the often overlooked steps of pre-production,
budgeting, scheduling, casting, locations, and enlisting crew
members. The role of the director in the production process
will be a particular area of focus, covering such important
issues as shot breakdown, visual style, directing the actor,
and communicating with the crew. A variety of other crew roles
and responsibilities will also be discussed including those
of the Director of Photography and Art Department with an
emphasis on putting together the right combination of elements
to make a successful film.
3:30 PM - 5 PM
Cut: Start Editing - Once the shooting stops the real
work of filmmaking begins. Taking the material gathered during
production and putting it together into a coherent form is
certainly as great a challenge as getting the film shot. This
panel will discuss the series of steps through which the collection
of raw sounds and images is sculpted into a finished work.
Different approaches to editing, the collaboration of director
and editor, and the stages of the process from assembly edit
to fine cut will be discussed by the panel participants. Also
included will be the sound editing process, which is so important
to the creation of a high quality film. The use of sound effects,
music selection, music rights, and the audio mix are some
of the topics that will be addressed by this panel.
Sunday March 29
12 - 1:30 PM
Roll It: Start Showing - As any filmmaker can attest,
making a film is only the beginning of the struggle. An often
far greater challenge is getting that work seen by an audience.
This panel will focus on the many ways independent filmmakers
can get their works seen, with an emphasis on film festivals
and a variety of distribution channels. The issues of how
to submit to festivals, the types of films that tend to be
of interest to festival programmers, and the broad range of
film festivals that exist today will all be discussed. Finding
distribution is one of the most difficult obstacles to getting
any film seen and the panel will talk about the various types
of distribution, the best way to package your film for a distributor,
and the problems and prospects of self distribution.
2 - 3:30 PM
Location Ohio: Start Here - This panel will look at
the opportunities and challenges for regional filmmaking in
Cleveland and Northeast Ohio. The difficulties of making films
so far from the center of the moving image industries will
be examined along with the possibilities offered by a supportive
and energetic creative community. Filmmakers who have either
come from the region or made their films here will share their
experiences raising money, finding actors and other collaborative
artists, and finishing their films to give a clear sense of
the problems and potentials for developing a more active film
culture in Northeast Ohio. How the unique qualities of the
region contribute to the filmmakers' visions and help to make
their work distinctive will also serve as a focus for the
discussion.
All panels will be held at:
Cleveland State University
School of Communication
Music and Communication Building
2001 Euclid Avenue
Auditorium: MU107
The panels are free and open to the public. No registration
is necessary. There is parking on the street around the Music
and Communication Building and in the lot behind the building
at 19th Street and Chester Avenue. For further information
contact: Dr. Evan Lieberman e.a.lieberman@csuohio.edu
or 216-687-4637.
School of Communication
News Archives
© 2013 Cleveland State University | 2121 Euclid Avenue, Cleveland, OH 44115-2214 | 216.687.2000